Sunday, July 26


Nagpur: Words took a back seat as movement, silence and raw physicality narrated one of Marathi theatre’s most complex works, Eka Natacha Mrutyu (An Actor’s Death), at the newly inaugurated Rangamandap on Saturday. Written by veteran playwright Mahesh Elkunchwar, directed by Atul Pethe and performed by Abhay Mahajan, the 65-minute production took intimate theatre into a deeply immersive psychological and metaphysical experience.Written in 2005, the abstract play was long considered nearly “unstageable” by the theatre community because of its complex structure, philosophical depth and absence of a conventional, linear narrative.

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For years, its intensely internal world and layered exploration of identity, performance and mortality were believed to be too difficult to translate onto the stage or make accessible to audiences.The one-man production explores the turbulent relationship between an actor and his director, gradually opening questions of ego, love, creativity, memory and death. At times, it becomes difficult to determine whether the events are actually unfolding or are taking place entirely within the actor’s mind.Mahajan stood at the centre of the production with a striking physical performance. Bare-chested and dressed only in shorts, he used his body, expressions, breathing, movement and silence to convey emotions that spoken language alone could not carry. Minimal props, evocative lighting and a climactic sequence in which water pours over the actor, leaving him completely drenched, added to the production’s haunting visual vocabulary.During an interaction after the performance, Pethe described the work as “a poem presented through theatre”. Unlike much of traditional Marathi theatre, where words and dialogue drive the performance, “Eka Natacha Mrutyu” allowed the body itself to speak, he said.The close, roughly 100-seat setting of Rangamandap intensified the experience. With no microphones and barely any distance between the performer and spectators, every breath, pause and movement became part of the play.



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