Srinagar, Feb 02: The Kashmir Papier Mache craft is not facing extinction and continues to show steady growth, officials said.
Directorate of Handicrafts and Handloom Kashmir Director Mussarat ul Islam said that Papier Mache craft remains a vital part of the Valley’s handicraft economy, with thousands of new artisans added in recent years
Speaking to Rising Kashmir, he said the department has created a pool of around 8000 new Papier Mache artisans over the past few years.
“Artisans often feel that when they struggle, the entire craft is struggling. This creates fear that the tradition may end with them. Such concerns are genuine but do not reflect the full picture of the sector,” he said.
Mussarat ul Islam said the Directorate of Handicrafts & Handloom, Kashmir, is actively working to protect traditional crafts and give artisans a sense of ownership. He said the focus is on protection, promotion, and taking these crafts to the next level.
He said Papier Mache operates largely in the unorganised sector. “Many skilled artisans are still not registered with the department. Efforts are underway to bring these artisans into the official system so they can benefit from government schemes, training, and market access,” he said.
The director said Papier Mache has already received Geographical Indication (GI) registration, which gives the craft legal protection and identity in global markets. “Papier mache is currently the most exported product in the non-textile handicraft segment from Kashmir and has strong demand in international markets,” he said.
The reports highlighting struggles in the craft sector should be seen as wake-up calls, Islam said, adding that changing lifestyles and modern technology have pushed several traditional crafts into a languishing category.
He identified pottery, especially glazed pottery, as one such craft. He said traditional clay pots once played a major role in daily life, but stainless steel and modern utensils reduced their use. The director said the department continues to promote pottery through trade fairs and “Know Your Artisan” programmes to ensure visibility for skilled potters.
Mussarat ul Islam said other languishing crafts include wagu, gabba, and filigree. He said these crafts can survive only if people show ownership by buying and supporting local products.
The director said there has been positive traction in the Wagu craft over the last six to eight years. “Artisans are innovating and diversifying products, including rugs and home décor items like window blinds,” he said. “Public support as buyers is key to ensuring that Kashmir’s traditional crafts remain alive and successful.”
