Nagpur: In an experiment that reimagined the grammar of theatre, a quiet living room in Shankar Nagar transformed into the setting of a deeply personal drama for about 80 minutes on Friday evening. Stripped of theatrical frills and staged inside a real home, ‘Sonata’ unfolded within arm’s reach of the audience, offering Nagpur a rare, close-quarters theatre experience that replaced spectacle with raw immediacy and presence.With barely a dozen spectators seated among the actors, and no microphones, stage lights or elevated platform, the performance dissolved the traditional fourth wall, making viewers feel less like an audience and more like silent witnesses — almost a fly on the wall — to an intense conversation.Penned by celebrated playwright Mahesh Elkunchwar, ‘Sonata’ revolves around an evening in the lives of three educated, urban women whose conversations slowly unravel layers of friendship, independence, loneliness and emotional vulnerability. What begins as a seemingly casual interaction gradually deepens into an exploration of trust, betrayal and the complexities of modern relationships. The enduring appeal of ‘Sonata’ also led to its adaptation into a film in 2017.Every glance, hesitation and movement carried a meaning, drawing the viewers deeper into the unfolding interactions. Without technical aids to shape the atmosphere, the actors relied entirely on voice, timing and physical presence to carry the story forward.The play’s emotional peaks emerged with striking clarity. At moments of disagreement or revelation, the intensity in the room was palpable, allowing those present to register the characters’ turmoil from only a few feet away. As simple an act as pouring water into a glass could be heard clearly without any need for amplification.Director Onkar Ghare said the staging was designed to dissolve the conventional boundary between actors and the audience. “The idea was to break the two separate universes of performer and spectator and allow them to exist in the same narrative space,” he said.The production featured performances by Radhika Joshi, Bianca Nazreth-Arya and Sonal Trivedi-Malkan, who brought the layered characters of the play to life, while the production was handled by Devashree Joglekar. The wider team behind the presentation included Bhupesh Wankar, Siddhant Patel, Nischay Bellani, Tanuja Abraham, Harshvardhan Deshmukh, Parul Tidke and Akanksha Kadu.For Nagpur’s theatre scene, which has long been rooted in conventional auditorium productions, the experiment offered a refreshing alternative. By relocating the performance into a domestic space, the focus shifted entirely to the strength of the writing and the immediacy of live performance.
